Suzuki piano teaches a child to play by ear first and to read music later. The child listens to recordings of the pieces every day, learns them in small steps with the teacher, and plays them from memory. A parent attends each lesson and leads practice at home. Children often begin at three to five years old.
The Suzuki Piano School has seven books. Every student plays the same pieces in the same order.
What a lesson looks like
The parent sits close and takes notes. The teacher works with the child on one point at a time: how to sit, how to drop a finger into a key, how to make a full, warm sound.
A lesson for a small child is short, and it may spend ten minutes on a single bar. The teacher plays, the child copies, and the teacher shows the parent what to look for at home.
Many teachers also teach the parent the first pieces. A child who sees a parent learning often wants to join in.
What Book 1 covers
Book 1 opens with variations on “Twinkle, Twinkle, Little Star.” Each variation uses a different rhythm on the same tune. Then come folk songs such as “Lightly Row” and “Go Tell Aunt Rhody,” and short pieces by classical composers near the end.
The right hand learns the tune. The child plays the melody alone first.
The left hand learns its part. Then the left hand learns the notes that go underneath.
The hands join. Putting the two together is a big step, and teachers take it one bar at a time.
By the end of Book 1, a child plays with both hands, from memory, with a clear sense of the beat.
What comes after
The later books move through minuets and sonatinas to longer works. In the upper books, students play pieces such as Beethoven’s “Für Elise” and sonatas by Mozart.
Old pieces stay in use. A student keeps playing them to polish tone and to try new skills on music they already know.
The parent’s role
One parent is the home teacher. That parent attends lessons, plays the recordings daily, and sits with the child at the piano for every practice in the early years. You do not need to play the piano yourself. The Suzuki parent guide explains the job.
When reading begins
Suzuki students learn to read after they can play with ease. The timing differs from teacher to teacher. Some start reading games in Book 1 and reading from a separate book soon after. Ask a teacher how and when they teach it.
Parents sometimes worry that a child who plays by ear will struggle to read. Reading is a skill of its own, and it needs its own regular practice once it starts. Ask the teacher for a daily reading task when the time comes.
How it differs from Suzuki violin
The ideas are the same: listening, small steps, review, and a parent as home teacher. Two things differ.
A piano is one size. A small child needs a bench at the right height and a footstool, so the feet do not dangle.
Group class is a fixed part of Suzuki violin. In piano, it depends on the program. Some hold group classes where children play for each other and learn theory through games.
What to set up at home
An instrument. Because the method cares so much about tone, many Suzuki teachers ask for an acoustic piano, or a digital piano with weighted keys. See piano or keyboard for a beginner.
A bench and a footstool. The forearms are about level with the keys, and the feet rest flat.
A way to play the recording. A speaker in the room where the family spends its time. Suzuki listening has ideas.
A regular time. Short daily practice, at the same time each day.
Is it a good fit?
Suzuki piano suits a family that wants to start young and has a parent with time each day. It may not suit a family that wants the child to work alone, or a child who is eager to read from a book. Suzuki vs traditional lessons sets the two side by side, and the method quiz helps you think it through.
To find a teacher, read how to choose a Suzuki teacher. For the method as a whole, read the Suzuki method explained for parents.
More from this guide
This article is part of Music teaching methods for kids compared: Suzuki, Kodály, Orff, Dalcroze, and traditional lessons.
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Use it with your kids
Print a listening page, a practice chart, or a composer fact sheet. Or try a tool, such as the composer timeline or the piece picker.